The dystopian photomontages of Family Album are cooking again, because in these disastrous times, of normalized injustices, applauded abuses of power and masks of all kinds, of appearances, of real and digital props, of isolation and lack of dialogue in In all spheres, from the highest spheres to the intergenerational, family or everyday, it is necessary to create moments of reflection, of self-criticism, of denunciation, no matter how ephemeral and tiny they may be within the immense maelstrom of today.
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